The way I work can seem very involved.
In this tutorial, I wanted
to share how I
made one of my favorite pieces, CAPTURED .
I've always loved the colors of the Egyptian Funerary Art and the textures and spiraling shapes in Gustave Klimt's work.
I've always done
sketches to
help me
plan my
sculptures,
but
I have never let the drawings get too involved though. The fabrics and
the sewing itself often dictated changes in the finished piece.
After
I collected up different shades and textures of fabrics in the the
Egyptian inspired colors , I chose the wires I wanted to use for the
armatures.
I wanted the starfish to act as a base and it needed
to hold the mermaid securely. Even though it was only 8 inches in
diameter, I chose 14g galvanized steel wire for the basic fra
mework because it was stiff enough to hold the shape I wanted. After making the basic shape, I wrapped the 14g with 22g wire.
This
texturing of the armature made it easier to cover the wires with
acrylic yarn. I used a buttonhole stitch for this step. The yarn
covering made it easier to attach the strips of batting used to plump
up the starfish's shape.
The mermaid may have been a smaller
piece, but her construction was much more involved. The process was
basically the same as the starfish, but I worked in layers on this
figure. After setting up the armature, I covered her with batting and
started sewing fabric on the tail
.Once
I had a stable fabric base I used more pieces of batting to create
breasts and the facial structure . More fabric was then whip stitched
over top. On the head, the eyes were sewn on and the forehead, nose and
chin were then shaped and sewn down.
On the torso, the breasts were formed by sewing batting around a marble and sewing it in place. Once they were co
vered with fabric, I continued the spiraling fabric shapes I started on the tail up the torso and over the breasts.
The final steps on the starfish were to secure the resin eye in
place, sew on an eyelid and embellish the entire surface with beads.
The
mermaid's finishing touches were beading the hair and embellishing the
torso with seed beads. Elastic trim was used to bind the mermaid in
place.